“Patrilineation” has been selected as the winner of the 2025 Alta California Chapbook Prize!!!

Other than anything resisting fascism right now, what could I possibly celebrate? That being said, I want to send my heartfelt gratitude to Dr. Raina J. León for selecting my manuscript as the winner of the 2025 Alta California Chapbook Prize. I am so moved by these words in her judge’s citation:

“From the first poem in “Patrilineation,” the stakes are high. The author invites us into an early memory, rooted in a tender and fragile part of the body, through a lens of loss: the eyelashes of a child. In these poems, we confront a truth: we live and breathe and move always vulnerable, always at the edge of or in the process of losing. How do we name our lineages, what we have inherited, and transmute the strength that comes from pain into a strength that, itself, multiples the transformational possibilities of love to others and the self? How do we name the political hypocrisies—all men are created equal—while knowing the threats all around you and holding your child, in all his beauty, in your arms? These poems engage questions, guide us into reflection, and agitate us towards action, change, and love.”

I will have my first bilingual edition of poetry—”Patrilineation”—out in the world this summer.

I could not be more thrilled to have the incredible team at Gunpowder Press, in collaboration with Letras Latinas and the Institute for Latino Studies at Notre Dame, publishing this chapbook. I am so grateful to Emma Trelles, Francisco Aragón, @alexlregalado, @josueandresmoz, and everyone who is helping bring this chapbook into the world.

This is the second excerpt from my—yet-to-be picked up for publication—full-length manuscript, “Where Language Ends,” to win a chapbook prize (the other, “Circling Fatherhood,” won the Poetry International Chapbook Prize and will be published as a folio in the forthcoming edition of Poetry International sometime before AWP).

#AltaCaliforniaChapbookPrize
#BookPrize
#Patrilineation
#CarlosOnTour

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Closing out my 2025 tour in the most epic fashion: Carnegie Hall

Could not have closed out my 2025 tour in a more epic way: Carnegie Hall
Top of my bucket list (as far as venues): Got to perform my poem inspired by and dedicated to the 16- and 17-year-olds incarcerated on Rikers Island with which I used to do writing workshops. I also got to speak truth to power, and, especially meaningful: I had the honor of introducing and welcoming to the stage The Excelano Project (who completely and utterly rocked me with their stunning work).
To think I co-founded this spoken word poetry group nearly a quarter century ago (25 years ago this coming March 4th, 2026), and to see what these poets are doing now (as writers and performers and as human beings in the world) overwhelms me with pride and just awe.
My heart is so full.
PS: Scroll down for photos I saw on the walls backstage of some legends who’ve also touched that stage. 🤯
#CarlosOnTour
#Gratitude
#ExcelanoProject
#TheExcelanoProject
#MarchForth
#CarnegieHall
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Lincoln Center encore w/ Patricia Smith, Whitney Greenaway, & Joél Leon

This was a historic night at Lincoln Center performing alongside Patricia Smith (4 days before she very deservedly won the National Book Award), Whitney Greenaway, & Joel Leon.
Always special to do anything Mahogany L. Browne curates. What a legacy to be a part of.
So much love to Jive Poetic, Rico Fdk, and DJ Paco(@officialbkhp), and everyone who came through.
Photos by Catalina Kulczar
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And with that—I’ve now keynoted or performed in all 50 U.S. states.

And with that—after a flurry of recent gigs in Mississippi, Montana, Hawai’i, & Idaho—I’ve now keynoted or performed in all 50 U.S. states. Took nearly a quarter century to do so, but here we are.
Some highlights from this homestretch of tour dates:
This past Tuesday evening in Boise, Idaho at The Lit Room. One of the most original and gorgeous independent bookstores I’ve ever seen. To see little tributes to my dear friend Andrea Gibson everywhere on the shelves made the air feel threaded with their transcendent and sacred presence.
This past Sunday night in Hawai’i at The Slack Key Lounge, sharing the stage with legends and newcomers who are shaping the literary scene in Honolulu.
Last Thursday in Bozeman, Montana, doing a day-long residency at Montana State University, engaging students, faculty, and staff across the institution to identify tools and strategies to cultivate wellness and belonging.
And, finally, a couple weeks back: That magical night in Jackson, Mississippi at CoffeeProse.
#CarlosOnTour
#50states
#TouringSpeaker
#TouringPoet
#KeynoteSpeaker
#ArtistInResidence
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Love you, Andrea Gibson.

I don’t remember the first time I met Andrea (like many I love, as though we’ve always been—and will remain—in each other’s orbit), but early on, while very much a (college) kid, at some National Poetry Slam (don’t ask me which one and where), I remember feeling righteously indignant that anyone had scored Andrea’s poem less than a 30. I was baffled beyond belief. Incredulous, really.

Was it one of the year’s Andrea was on indie finals’ stage? Or the year my slam team faced off against the Merc’s squad in semis? Who knows. It’s a blur a couple decades later.

But what I do remember is me venting my horror (about a poetry slam score) to Andrea (post-bout), and this bewildered expression emerging on their face (catching up to what I was saying), which slowly bloomed into this broad, mischievous and child-like smile. Andrea, then chuckling, shaking their head. Not even needing to say: “Who cares?”

It was an early lesson, among many. Offered gently though clearly, in the way only Andrea could.

I studied Chekhov acting technique not too long after this poetry slam, and my teacher talked to us about “radiating,” giving us exercises to project our inner life and energy while on stage. Strategies to inflect our energy through the audience. All of us working so hard at something Andrea did effortlessly.

Andrea changed the shape of a room. The way light could hold a space. Its frequency. And, to be clear, I’m not talking about Andrea on stage. I’m talking about sharing space with Andrea.

They stood so sturdy in their convictions and values, yet abundant in their empathy and expansive in their listening and humility. Curiosity and tenderness and silliness and self-deprecation and self-interrogation and a resistance to oversimplification or the easy reductions of even the best intentioned of their friends or comrades. All those distinct qualities residing alongside each other.

Andrea taught me a lot about what it means to stand solid and be courageous. Andrea would disagree or challenge friends. Andrea would change their mind and challenge themselves.

In their poem, “Say Yes,” Andrea wrote:

“When two violins are placed in a room

If a chord on one violin is struck

The other violin will sound the note”

Andrea did that in every room. None of us knew we had those chords inside of us, as we watched Andrea transform space after space seemingly devoid of music and hope.

We did a show together at a stunning, iconic venue (I won’t name) many years ago, and I remember feeling physically and spiritually frigid in the space, pre-show (as I sat next to the booth early for sound check). Andrea walked in with Heather, and the contours of color and energy shifted in that space. I felt like I was inhabiting a different body.

It would be one of the more transcendent shows I’ve ever been a part of (and I don’t remember one piece or word I said on stage that night). I just remember sitting in the front row, after my set, with a broad, mischievous and child-like grin weeping while Andrea performed haloed by light above mec.

I know so many folks I deeply love deeply loved Andrea and are really hurting right now, as much as we cherish the unyielding light Andrea gifted that will remain illuminated within us and through us and across countless generations to follow.

But, let me say this: Andrea was one of the greatest poets ever, but that may have been one of the least significant legacies they gifted us with.

As my wife reminded me yesterday when I tried to leave a voice note for Andrea – Andrea found words for things before many of us had them, which gave so many folks courage and permission to take up space and survive and fight back and love hard (others, yes, but more importantly, themselves).

Andrea was a trailblazer for so many for reasons that transcended Andrea’s transcendent art.

Let us never forget Andrea’s poems and otherworldly performances. But let us continue to remember their wisdom and other writings, and what Andrea said in interviews and laughing with those they loved. Let us remember the tender, quiet moments that also captured who Andrea was. Away from the spotlight and the stage. The silly moments: that game of H-O-R-S-E at Andrea’s house last summer where they kicked my ass (and I got blanked for the first time in my fucking life) as we both talked shit the whole time and collapsed into a hug, laughing and crying, after Andrea won and whispered to me: “I wasn’t sure I was going to make it to this game.”

I will forever carry the notes Andrea sounded in me. I cannot believe we got to catch up for a bit on Earth and share orbit for this brief time, and I’ll be sure to remain in orbit with Andrea’s light forever. ❤️

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