“Where Language Ends” just won the 2025 Stephen A. DiBiase Poetry Prize!!

I just got the news that the titular poem of my new poetry manuscript, “Where Language Ends,” has been named the winner of the 2025 Stephen A. DiBiase Poetry Prize.
Heartfelt thank you to the judges—Siobhan Kent, Matt Sharkey, Rus Sykes, & Habiba Dokubo-Asari—for selecting my poem from several hundred submissions. I am so honored to see my name alongside these other writers.
I’ve been in a season of brief and momentary breakthroughs, but like so many writers, mostly an almost insatiable flood of rejections, so I’m welcoming this acknowledgement of my work. It’s a poem I care a lot about, which makes this particularly meaningful.
I can never say it enough, but my unfathomably brilliant and generous friend (is not a big enough word), Adam Falkner, has offered the most vital and uncompromising feedback on all of these new poems. What a gift to have beloved friends who make me stretch to try, often in vain, to keep up with them. Without Adam, the new manuscript would not exist.
And, lastly, shoutout to Jon Sands and my Emotional Historians’ familia, with whom and during a generative workshop I drafted the initial version of this poem.
Onward.
#StephenADiBiasePoetryPrize
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#EmotionalHistorians
#BackToTheWork
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“Circling Fatherhood” named winner of the 2024 Poetry International Chapbook Prize!!

On my best days, I strive to be “full of tenderness and bravado.” What a tremendous honor—

Circling Fatherhood has been named the winner of the 2024 Poetry International Chapbook Prize.

This chapbook, which is excerpted from Where Language Ends, gives a sneak peek at my forthcoming full-length poetry collection and will be published as a portfolio in Issue 30 of Poetry International later this year. I cannot wait for you to read these poems.

My heartfelt gratitude to Sandra Alcosser, Blas Falconer, Meagan Marshall, Piotr Florcyzk, Alejandra Hernández, Luis Torres, & the entire Poetry International Editorial Board. I was completely flabbergasted by this news.

Welcoming in every little bit of light right now.

#CirclingFatherhood
#WhereLanguageEnds
#PoetryInternational
#PoetryInternationalChapbookPrize
#BackToWork

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5th print run of “Fractures” underway!

My 14 year-old self would be heartbroken to find out that I never won a Gold medal playing basketball.
My current self: equally bewildered and awed that I got one for some poems.
This mighty little book chugs on (with her new accessories).
Somehow we just sold the last few copies of the current run. Which means, we’re just four years and four months from the book’s release and the 5th print run is underway!
Boundless gratitude to each of you who is teaching “Fractures” to your high school students or MFA advisees. Send me a note if you want me to do a Zoom visit with them to talk about the work.
As always, onward. Tightening screws on this new poetry manuscript. I can’t wait for you to see it.
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Some good news to kick off 2025…

Some news to bring a little light into this new year:
“Fractures” just won the North American Book Award, Gold Medal for Poetry.

I do not take lightly that in the history of the North American Book Awards only 3 gold medals have been given out in this category. For “Fractures” to be recognized with one of them is humbling and a complete shock.

Somehow this mighty little book on a scrappy university press has won 7 (!) book awards since its release and found its way to readers across the globe.

While I was in the United Arab Emirates last month, several people came up to me with well-loved copies of “Fractures” that they’ve been reading and teaching in Dubai.

An extremely small percentage of published books make it to a fourth print run, and we’re already down to the last few dozen copies of “Fractures” before we’ll need a fifth printing of the book.

Big shoutout to all of the high school teachers, undergrad/MFA/grad professors, and librarians who’ve recommended, assigned, taught, championed, or made room for “Fractures” on their bookshelf. It means everything.

Back to the work. Onward.

#FracturesBook
#CarlosOnTour
#FelixPollakPrize
#NewManuscriptOnDeck…

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With gratitude as I close out my 2024 tour

Before I depart for Dubai (shortly) for my final performance and workshop of 2024, I’m reflecting on some highlights of my fall tour:

• Performing at the COLEGAS Annual Conference in Sacramento
(where I got the chance to connect with some of the most transformative, brilliant, and courageous higher ed administrators & educators I’ve ever encountered.)

• Receiving the inaugural Creative Life Award
(which allowed me to travel to DC and read some poems at Busboys & Poets, celebrate the incredible work of a non-profit I adore and admire, Writing Through, &, perhaps most special of all: see some of my dearest friends(and my god daughter!).)

• Being a featured author at the 20th Dodge Poetry Festival
(brought so many things full circle for me. There is nothing quite like a packed audience of poetry lovers. The lushness of the listening radiates off the walls.)

• Keynoting at the CIMPA Conference in the Cayman Islands
(a place I’ve traveled to and performed several times over the past two decades. It was so great to finally make it back after a long absence)

• Doing several day-long residencies at independent schools across the U.S.
(where we read poems closely, wrestled with global citizenship and what it means to bravely show up in the world, & I reconnected with some old friends I hadn’t seen in years.)

By my birthday this coming Monday, I will be back home and ready to decompress and unplug.

I am so grateful to everyone who hosted me for a gig this semester, assigned “Fractures” to their college students, or drove to see me at a gig. Ultimately, art is a catalyst for connection. And I feel so humbled by the ways so many show up for me and continue to champion my work.

Next month, I kick off my 2025 tour with scheduled visits to PA, IL, OH, KS, NY, IN, CA, MI, and I’ll be closing out my spring tour in Japan at the end of May.

If you (or someone you know) might want to jump in the mix and book me for a keynote, performance, or residency at your school, organization, conference, festival, or company—send me a note.

With all my heart,
Carlos


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