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20th anniversary of being a full-time artist

20 years ago this Saturday, I went to my last day of work as a social worker in Harlem, which happened to be the last (and only) time I had salaried employment.

The next day, I went into wardrobe for “Inside Man” and spent the summer shooting the movie with Spike, Clive, Chiwetel, PJ, Denzel, Kim, Bernie, and the whole squad in lower Manhattan and in Brooklyn.

Since my final time walking out of the office on W. 127th street on the afternoon of May 31st, 2005, I have somehow been a full-time artist. Two full decades.

I say this often, but two core qualities have remained central to me across those 20 years:

1. Even on the hardest of days, when I’m flooded with rejections and doors slammed in my face, I have never taken a breath or moment of this life for granted. I truly do each and every single gig like it is the first, the only, the last one I will ever do (as I often say, “Because there’s no guarantee it won’t be.”).

Which is another way of me saying: GRATITUDE overwhelms every blink and breath of these past twenty years.

2. PERSISTENCE, which has required boundless adaptability and endurance beyond anything I could fathom in 2005, has allowed me to continue across such a wild span of time rooted in my work as a writer and performer.

This has meant: epic failures, seasons of seemingly endless rejections, bombing badly in front of thousands of people alone with nothing but a mic as my support, nights where I’ve been sick/homesick/exhausted.

Always, though, I’ve continued. Don’t let the below list overshadow the aforementioned, that often misleading glitter of a bio that can undercut the scars and sweat and tears that breathe possibility into an impossible life like mine.

Sometimes though, I want to take a moment, and look back (briefly), offer thanks for the opportunities I’ve been given. In the spirit of that, here are some of the highlights over this miraculous two-decade run:

– I wrote & starred in a solo play co-conceived with Tamilla Woodard that sold out three theater festivals in NYC and did a month-long run at the Edinburgh Festival Fringe in Scotland (where a reviewer gave it 5/5 stars & called it “the hidden jewel of the Fringe”)

– Penguin Random House published my memoir “Man Up: Reimagining Modern Manhood”

– I voiced a character in the video game “Red Dead Redemption”

– I appeared on season 6 of the HBO original series “Def Poetry Jam” and season 3 of TV One’s “Verses and Flow”

– I starred in the PBS concert film “The Next Movement”

– I performed to a sold out Barclays Center (nearly 20,000!) in Brooklyn for WE Day UN

– I collaborated with John Legend to mentor high school senior leaders to counteract bullying and champion inclusive masculinities (and we rocked a couple shows and events together)

– I delivered two TEDx talks (on masculinity and fatherhood)

– I wrote and recorded two studio albums with my best friend and my buddy, Joe

– I’ve had several poems go viral

– I co-headlined a show at the World Expo in Dubai (also with my best friend)

– I was a winner at Amateur Night at the Apollo

– I rocked MTV Studios for a gig with Talib Kweli

– I performed with Savion Glover on Broadway (to celebrate the Nuyorican Poets Café’s 35th anniversary)

– I’ve been a featured author at more than a dozen literary festivals abroad

– I’ve been featured by NPR, The New York Times, PBS NewsHour’s “Brief But Spectacular,” NBC News, and beyond

– I’ve written & performed commissioned work for GMC, Thermo Fisher Scientific, MARTA Artbound, the National Center for Civil and Human Rights, the MACY’s Passport Show, the Obama White House, & many others…

– I’ve built lifelong friendships with those I most adore and admire: artists and teachers and readers and librarians and professors and students and activists and people all over the world.

I do not take a day, an hour, or a moment of this for granted.

Thank you for each of the small ways you have made these past twenty years possible. Yes, you.

Onward.


#CarlosOnTour
#20thAnniversary
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Five sublime days in the Pacific Northwest as an artist in residence

I cannot say thank you enough to the entire Chehalis Tribal Community, elders, and everyone who welcomed me and attended the event and workshop with Rena Priest. The entire day was such a gift.
These were five of the most powerful and meaningful days of this work I’ve ever been a part of. Being able to do generative writing workshops with middle schoolers, incarcerated teens, as well as non-profit and community workers meant everything.
I felt so connected to my former life as a social worker/outreach worker before I was touring, speaking, performing, and teaching full-time.
I hope to see you all again soon.
#CarlosOnTour
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24 years ago today I did my first college gig

24 years ago today, a “renowned hip hop spoken word artist” did his first college show at Bates College in Lewiston, Maine.
It felt like a novel abundance from the universe that allowed me to spend a few days with my best friend and try to figure out what it would look like to put together a 45-minute set of poems for a room full of college kids.
That teenage version of me would never have believed that I’d still be touring colleges today, nearly 1,600 college and university events later.
What a wild and miraculous journey it’s been.
#CarlosOnTour
#24YearsIn
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“Ghazal Circling Fatherhood” is today’s featured poem for the Academy of American Poets’ Poem-a-Day series!

Feels like a dream to see my new piece that wrestles with masculinity, fatherhood, and lineage as today’s featured poem for the Academy of American Poets’ iconic Poem-a-Day series.
Heartfelt gratitude to Willie Perdomo (an impossible bar of literary brilliance & citizenship) for selecting it. I can never overstate the transformative impact of my mentors at Warren Wilson and beyond who indirectly made this poem, and all the new poems, possible.
Thank you in advance to every single person who shares, listens, reads, or teaches this poem. You can listen to a crisp studio recording of me reciting it if you click the “audio” link.
My publisher just confirmed that new copies of “Fractures” arrived in stock earlier this week, so the book order link should work (if you’ve been meaning to get it!).

Lastly, I’m lining up event dates and artist residencies for this fall now, so if you want to host me at your independent school, college, law firm, or company DM me ASAP.

 

Much love & gratitude,

Carlos
#PoemADay
#AcademyOfAmericanPoets
#PoemADaySeries
#CarlosOnTour
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“Where Language Ends” just won the 2025 Stephen A. DiBiase Poetry Prize!!

I just got the news that the titular poem of my new poetry manuscript, “Where Language Ends,” has been named the winner of the 2025 Stephen A. DiBiase Poetry Prize.
Heartfelt thank you to the judges—Siobhan Kent, Matt Sharkey, Rus Sykes, & Habiba Dokubo-Asari—for selecting my poem from several hundred submissions. I am so honored to see my name alongside these other writers.
I’ve been in a season of brief and momentary breakthroughs, but like so many writers, mostly an almost insatiable flood of rejections, so I’m welcoming this acknowledgement of my work. It’s a poem I care a lot about, which makes this particularly meaningful.
I can never say it enough, but my unfathomably brilliant and generous friend (is not a big enough word), Adam Falkner, has offered the most vital and uncompromising feedback on all of these new poems. What a gift to have beloved friends who make me stretch to try, often in vain, to keep up with them. Without Adam, the new manuscript would not exist.
And, lastly, shoutout to Jon Sands and my Emotional Historians’ familia, with whom and during a generative workshop I drafted the initial version of this poem.
Onward.
#StephenADiBiasePoetryPrize
#WhereLanguageEnds
#EmotionalHistorians
#BackToTheWork
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