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Upon returning from Dubai and being a part of the 2026 Emirates Literature Festival

Somehow I’ve spent the better part of 26 years being brought to some of the most remarkable and breathtaking places on Earth because of my poems.

I admire Ahlam Bolooki & Isobel Abulhoul so much. Powerful & brilliant women, surrounded by and supporting other powerful & brilliant women, to platform some of the most urgent and timely books, writing, and ideas of the moment. And bringing it to the Middle East. I am awed by your intention, care, and heart in every detail of the Emirates Airline Airline Festival of Literature.

The entire @emirateslitfest team is like family now: heartfelt gratitude to Andy, Mary Ann, Dania, Jenny, Annabelle, Aliya, Aira, Anuradha, & every single staff member and volunteer.

This is my 5th time making it to Dubai since 2018, the 4th time as your guest, and my 3rd time performing at Desert Stanzas. I am honored and humbled beyond words by your belief in my work and trust. And to get to do it with my best friend, Brent Shuttleworth, and my legendary amiga, Dr. Afra Atiq, is a dream.

I do every single gig like it is the last one I will ever do. I want to walk off that stage having saved nothing. That being said, I hope to make it back to your side of the world someday soon.

With all my heart,

Carlos

#EmiratesLitFest

#CarlosOnTour

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“Patrilineation” has been selected as the winner of the 2025 Alta California Chapbook Prize!!!

Other than anything resisting fascism right now, what could I possibly celebrate? That being said, I want to send my heartfelt gratitude to Dr. Raina J. León for selecting my manuscript as the winner of the 2025 Alta California Chapbook Prize. I am so moved by these words in her judge’s citation:

“From the first poem in “Patrilineation,” the stakes are high. The author invites us into an early memory, rooted in a tender and fragile part of the body, through a lens of loss: the eyelashes of a child. In these poems, we confront a truth: we live and breathe and move always vulnerable, always at the edge of or in the process of losing. How do we name our lineages, what we have inherited, and transmute the strength that comes from pain into a strength that, itself, multiples the transformational possibilities of love to others and the self? How do we name the political hypocrisies—all men are created equal—while knowing the threats all around you and holding your child, in all his beauty, in your arms? These poems engage questions, guide us into reflection, and agitate us towards action, change, and love.”

I will have my first bilingual edition of poetry—”Patrilineation”—out in the world this summer.

I could not be more thrilled to have the incredible team at Gunpowder Press, in collaboration with Letras Latinas and the Institute for Latino Studies at Notre Dame, publishing this chapbook. I am so grateful to Emma Trelles, Francisco Aragón, @alexlregalado, @josueandresmoz, and everyone who is helping bring this chapbook into the world.

This is the second excerpt from my—yet-to-be picked up for publication—full-length manuscript, “Where Language Ends,” to win a chapbook prize (the other, “Circling Fatherhood,” won the Poetry International Chapbook Prize and will be published as a folio in the forthcoming edition of Poetry International sometime before AWP).

#AltaCaliforniaChapbookPrize
#BookPrize
#Patrilineation
#CarlosOnTour

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Closing out my 2025 tour in the most epic fashion: Carnegie Hall

Could not have closed out my 2025 tour in a more epic way: Carnegie Hall
Top of my bucket list (as far as venues): Got to perform my poem inspired by and dedicated to the 16- and 17-year-olds incarcerated on Rikers Island with which I used to do writing workshops. I also got to speak truth to power, and, especially meaningful: I had the honor of introducing and welcoming to the stage The Excelano Project (who completely and utterly rocked me with their stunning work).
To think I co-founded this spoken word poetry group nearly a quarter century ago (25 years ago this coming March 4th, 2026), and to see what these poets are doing now (as writers and performers and as human beings in the world) overwhelms me with pride and just awe.
My heart is so full.
PS: Scroll down for photos I saw on the walls backstage of some legends who’ve also touched that stage. 🤯
#CarlosOnTour
#Gratitude
#ExcelanoProject
#TheExcelanoProject
#MarchForth
#CarnegieHall
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Lincoln Center encore w/ Patricia Smith, Whitney Greenaway, & Joél Leon

This was a historic night at Lincoln Center performing alongside Patricia Smith (4 days before she very deservedly won the National Book Award), Whitney Greenaway, & Joel Leon.
Always special to do anything Mahogany L. Browne curates. What a legacy to be a part of.
So much love to Jive Poetic, Rico Fdk, and DJ Paco(@officialbkhp), and everyone who came through.
Photos by Catalina Kulczar
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And with that—I’ve now keynoted or performed in all 50 U.S. states.

And with that—after a flurry of recent gigs in Mississippi, Montana, Hawai’i, & Idaho—I’ve now keynoted or performed in all 50 U.S. states. Took nearly a quarter century to do so, but here we are.
Some highlights from this homestretch of tour dates:
This past Tuesday evening in Boise, Idaho at The Lit Room. One of the most original and gorgeous independent bookstores I’ve ever seen. To see little tributes to my dear friend Andrea Gibson everywhere on the shelves made the air feel threaded with their transcendent and sacred presence.
This past Sunday night in Hawai’i at The Slack Key Lounge, sharing the stage with legends and newcomers who are shaping the literary scene in Honolulu.
Last Thursday in Bozeman, Montana, doing a day-long residency at Montana State University, engaging students, faculty, and staff across the institution to identify tools and strategies to cultivate wellness and belonging.
And, finally, a couple weeks back: That magical night in Jackson, Mississippi at CoffeeProse.
#CarlosOnTour
#50states
#TouringSpeaker
#TouringPoet
#KeynoteSpeaker
#ArtistInResidence
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