Blog
a love letter to andrea gibson
Just got word my poem, “Double Golden Shovel Sonnet Found on the Q Train,” is the winner of the 2024 Yeats International Poetry Prize!
Just got word my poem, “Double Golden Shovel Sonnet Found on the Q Train,” was selected by January Gill O’Neil as the winner of the 2024 Yeats International Poetry Prize—some reflections on interconnectedness & the wild serendipity of life coming full circle:
1) The Distant Past:
My sophomore year of high school, before seeing Martín Espada read or being mesmerized by Saul Williams in “Slam,” there was one poet who uniquely compelled me with his political fire and virtuosity: W.B. Yeats. At this point in my life, I very much did not identify as a poet, did not write for myself, and most likely understood my feelings about Yeats’ work as a bewildering intrigue.
2) A Few Years Later:
My first semester of college, fully enamored with poetry at this point, I took a Literature of Civil Rights class in which we studied Black writers from the Harlem Renaissance, Black Arts Movement, and beyond, as well as Irish independence writers, including Yeats. A delightful déjà vu, I was newly struck by Yeats’ singular brilliance and the radical dimensions of his work, both formally and thematically.
3) The More Recent Past:
One of my most cherished mentors in grad school, C. Dale Young, has a tradition of naming a shadow poet who his mentor, Donald Justice, called “the Crow that sits on your shoulder,” who is both a “challenge and warning to [your] own work.”
In my second to last packet of the semester, C. Dale told me mine was William Butler Yeats who “challenges [me] to infuse [my] poems with both the subjectivity of a person living in this world and the politics of a lived life, of longing and doubt brought about only by a quirky and odd imagination.”
4) The Present:
Somehow among 800 submissions January Gill O’Neil selected my poem for this prize, which is still a bit difficult to comprehend. I love that she chose a formally innovative poem set in the New York subway that meditates on masculinity and tenderness.
5) The Future:
Please join me in New York City on the evening of Thursday, April 18th at 6pm sharp for the award ceremony at Barnes & Noble’s flagship location in Union Square.
The event is completely free, and, candidly, I miss all my friends and fam in the city so much, please let us use this opportunity as an excuse to hug and catch up!
And, finally—Mr. Yeats, you have been on my shoulder since my first steps as a baby poet.
To you: I bow.
(Updated: Below are photos from the award ceremony in NYC.)
#YeatsPoetryPrize
#InternationalPoetryPrize
#InternationalPoetryContest
#WorldPoetryDay
#CarlosOnTour
#CarlosAndrésGómez
#LatinePoetry
#WBYeats
#FullCircleMoment
Keynoting for 1,200 passionate young people with this kind of energy will never get old!
Getting on stage in front of 1,200 passionate young leaders with this kind of energy will never get old. What an honor and joy to be your keynote for #PNWDCon2024 in Portland at the @oregonconventioncenter Hope to see you all again soon.
Reflecting on my Arts Envoy trip to ព្រែកទាល់ Prek Toal, Cambodia
I am reflecting on my awe-inspiring week in Cambodia as part of the Great Lake Poets Express, alongside Wayne McCallum, Kosal Khiev, and Kristin Schuster (from Writing Through).
I’ve worked with thousands of students over the years, but I have never encountered the kind of meteoric growth over such a short span (three days) as we saw in the students from Prek Toal. At the beginning of the first workshop, the students were understandably shy and hesitant. By their second performance of their original poems on the evening of the third day, nearly half read poems in English that they had translated on their own shortly before the event. Nearly all of the students worked non-stop, through the breaks we gave them, rewriting, revising, and rehearsing. A couple memorized their poems entirely. Ones they had just written the day before. Can you imagine where these brilliant students will be ten years from now? What transformative work they might lead in twenty?
One of the most poignant moments came after our event in the floating village at the end of the second day, when a local politician, on the verge of tears (his voice breaking at several points), shared how inspired and awed he was by the students’ poems. How his own education ended after fifth grade. How he felt so moved by the event that he planned to introduce legislation to counteract pollution and reduce noise from the motor boats on the Tonlé Sap Lake. And who says a poem does nothing? Cannot catalyze systemic change?
It was an honor to be an Arts Envoy in the Literary Arts for this historic collaboration. My heartfelt gratitude to the Embassy of the United States, Phnom Penh, in particular to their passionate and committed Cultural Affairs Officer, Amparo Garcia, and her colleague, Samphos Pin. I was so touched that Amparo attended both of our events on her day off (this past Saturday). She truly represents the best of the U.S. Department of State.
I hope to collaborate again soon. For now though, just gratitude for radical work that transcends our wildest hopes and dreams, rippling outward for years to come.
My brain is already buzzing with ideas about where the Poets Express might stop next…